From the Asian Review:
Lynton Vinas buys a new cell-phone and a strange voice starts communicating with her. This voice directs her to an old house that has for many years been home to restless spirits. Demons from the fiery pits of hell mark her for destruction. This diminutive 5:2 human dynamo refuses to give into fear and takes on these demons in a titanic battle between good and evil. Assisted by her friends, Ingrid and Channa, this young woman faces a monumental task only armed with her wits and the belief that good can triumph over evil."
Are you tired of your current cell phone carrier? Want to get out of the contract without an early termination fee and switch to a better carrier without a contract? Now there might be a way to do it and you can learn about it in this book. Are you getting what you bargained for in your cell phone service? Are you getting dropped calls? Have you determined that your service is just too expensive for you. Getting sudden bill increases? Are you frustrated? Want to move to a more reliable lower cost carrier. Good news. Carriers often breach contracts by making changes without your permission. That is your opportunity to get out of the contract and switch to another carrier you like.
Bible scholar and teacher, Dr. John R. Hargrove has designed a wonderful, year-long course for the individual Bible student and for the classroom. Spread out over twelve courses, each book is a wonderful and insightful introduction to the Word of God. From Genesis to Revelation, Dr. Hargrove hopes to help you grow in the Lord and to understand his Word at a deeper, more profound level. An intimate level. Ideal for small group study and for the individual, the Biblical Studies 101 program is, we think, ideal for you, too.
This study is entirely devoted to African literary drama in French, a major component of African theatre. Beginning with a detailed analysis of its relationship to a variety of pre-colonial, but sometimes still contemporary traditions of performance which constitute part of its roots, Conteh-Morgan examines this drama both in its literary and theatrical dimensions. He discusses its development, themes and techniques and considers its attempts, since the 1980s, to move away from the predominantly text-based drama of first generation playwrights to a more performance-oriented one. The book is divided into two sections: part one offers a theoretical and historical background and part two analyses key individual plays central to the repertoire, including two from the Caribbean. All quotations from play texts are translated into English.
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